Susan Lloy
End of Rapture

The gold-painted angel fell today. His ceramic limbs splayed all around. She should feel saddened by this, as it was given to her in a time of love when she lived in the Dutch capital. Handed to her by her former lover who had ripped it off the exterior of an Italian villa when he was playing there in a travelling quartet.

It has made her bitter. Staring at it year after year for more than thirty. She has many objects from Amsterdam strategically placed in her flat. Often a guest will inquire, ‘Oh, how lovely, where did you get it?’ ‘Amsterdam,’ she replied.

For many years she had boasted that she had lived there feeling like she had an edge up for the experience. She kept her Dutch language books on deck ready to brush up before travelling back more than twenty times, rolling her G’s and toning her tongue to Nederland standards. She constantly thought of her former lovers who became good friends, but of late, had wandered far from her.

Tourists always irked the Dutch. When she had inhabited its tiny streets more than three decades ago, they had annoyed them then. Yet, she had been able to blend in like an Amsterdammer. She remembered travellers that came for smack holidays. Seeing many a folk retching on cobbled streets. One doesn’t witness this now. On her last visit it made her nervous. Crowds tightly packed like little fish in a can. Tourists are more loathed now. Pouring into the small cafés, cluttering the squares. Boisterous Brits on bachelor stags.

When she had lived among the locals she had tried to absorb their mirth. Listening to them sing while riding their bicycles along the canals. Now bikes are full of danger. With cyclists roaring along texting, not a single eye on the road.

She felt a pride that she had retained her Dutch. And for the most part, Amsterdammers are happy to spar with her broken words. Still, during her last trip, when she sat at a small theatre café and left a decent tip, she had overheard the bartender turn the name, tourist, around like it was a cancer.

She has many framed photographs of her former lovers, but it pains her to hang them on the walls. They sit, hidden, in an old armoire waiting to be dismantled. Yet, she can never bring herself to complete this task. She immortalized them in print during their shared time in Amsterdam, but they never stole a peek.

So, when she looks around at hints of her Dutch past it is as if a knife sears her heart. She can’t imagine strolling the streets, sitting on a sidewalk terrace, seeing the ghosts of her past. And besides, she would be just another tourist in Amsterdam. AQ