Jerl Surratt – Playing with Fire

Jerl Surratt
Playing with Fire

I’m glad it’s going to rain.
It’s been so dry. No lightning yet.
Thunder’s too far off,

but lightning bugs for the first time
this summer, cheering me up
as much as such things do anymore.

Delicate lights, gone in an instant.
I wish I could go back if for an instant
and feel exactly how it must have felt

to lie beside you when we spent
our one and only night together.
I’m less than delicately emptier

for every piece of news I get
like hers today, in cold gray type
on a cold gray screen, mixing in

with all the others sent to prove
I’m never going to see someone
I cared about again. This time

from your kid sister, who’s got to be
sixty-something by now, if she’s
a day. I’m a sitting duck out here

on the top step of the back porch.
But what the hell. I’m going to stay.
Maybe you know why, for all I know.

Stiff as I am already from working
in the yard all afternoon, I’m going
to bend this fool neck back as far

as I can when it starts to rain, no matter
how much it hurts, and face the sky
so it’ll look like I’m having myself

a good cry, and no one to see it
unless you’re with that god you said
you hoped was looking the other way

the night we made love that summer,
the Summer of Love, surprising ourselves
and laughing. I’m going to die over there,

you said. We might as well do something
you’ll remember me for. You better!
And you shipped out the next weekend.

Out and into a war your body survived.
But you came back a different boy.
A different man, I mean. What a mess

I’ll be inside once I’m soaked through,
my whole body looking like it’s cried
when I undress again, as if for you.

Fiona Clark – The petrifying waterfall of Saint-Pierre-Livron

Fiona Clark
The petrifying waterfall of Saint-Pierre-Livron
           Caylus, Tarn-et-Garonne, France

Cascading from the rockface,
bone-dry, brittle, hard baked
in the limestone kiln of the escarpment.

Once, the crescendo of ice-melt,
the steady ripple of spring waters,
the silver piccolo chime of drips,

into a pool of liquid turquoise,
now there is only the chirruping of cicadas
in a dry hollow, cailloux, gravel, boulders,

hoard of the white-hot dragon of the gorge,
hulked against the cloudless sky,
claws clutching the parchment earth.

We stand, motionless as statues
gazing at the skeleton of a headless saint
or tatters of his miraculous shroud,

imagining a world without water.

Fiona Clark – On Happisburgh beach

Fiona Clark
On Happisburgh beach*

clothed in nothing but woven air
like the fairytale Emperor,

or a heath-land butterfly,
or sand-martins, darting

from their dusty burrows
in the crumbling cliff-face,

pulses of feathered breath,
with a fiery appetite for gnats.

A soft sweat cools her flesh,
which is not naked, or even nude,

furred with minute hairs
stirred by the breeze –

thinks she might be a hare. Or a seal.
Her ears twitch, her skin craves water,

she skims the tide-ribbed beach
pausing only to pick up

a coiled and chambered creature
curled in stone.

The light hollows of her footprints
are shadows from the dawn of time

when a family of early hominids paddled
across a sun-warmed channel

from a distant shore, in search of shrimps,
and soft-shelled crabs scuttling in the shallows.

*The earliest hominid footprints outside Africa were captured by archaeologists using 3D digital modelling on Happisburgh beach, Norfolk, UK, in May 2013. Happisburgh is a fragile ecological site, where the cliffs are gradually being eroded by the sea.

Susan E. Lloy – Steve The Buddhist

Susan E. Lloy
Steve The Buddhist

It was decades ago. The season when the sun bathes the earth and light dances well into the evening. It was the early eighties when she was fresh. Just beginning her twenties and was game for most things to break the tedium of inhabiting a small city. She met him at a bar one summer evening at one of the trendy spots in that coastal provincial port. She was with a group of friends who stood out. Not because they were obnoxious or loud, but because they looked different from the locals. He could tell right away they were art students. One can always pick them out of a crowd. The way they dress, the cut of hair. Somber clothing, even though the weather is balmy, and more than that, all of them looked as if the sun had never caressed their alabaster skins.
        He smiled, walked over and introduced himself. And before they could offer up their own names, he divulged that he was Steve from America. New York State perhaps, the Midwest, Colorado? She has long forgotten. But Steve she does remember. He had immigrated here with a band of Buddhists. Why here of all places? He told them that his teacher had proclaimed that Nova Scotia was the place with right ‘lungta’ and had convinced many of his followers and students to join him here. He believed their humble, unpopulated culture could absorb and support the creation of a new enlightened society. Well…imagine that, here in this conservative backward hamlet. At least that’s what she and her friends thought at the time. All of them dreaming of escaping to New York City upon graduation. Getting their work shown in galleries and retaining studios to promote their wares. Fantasizing about their faces on the cover of Warhol’s Interview Magazine. Well Steve, I’m Ruby, and this is Todd, Geoff and Floyd. They smiled in unison proclaiming that they were delighted to meet a new special someone. They raised their glasses in that crowded bar thinking Steve exotic, yet somewhat touched, but in a good way. They welcomed him into their selective fold and affectionately christened him Steve the Buddhist. He had a wife named Honeysuckle. They imagined her as some Southern belle, although they never met her, not even once, during that summer of indelible sketches.
        Steve the Buddhist magically appeared whenever they went out, which was often. They had 24/7 access to their studios and each space hosted a fridge usually filled with beer. After an evening’s worth of studio work, they ventured into the night to one of the few dance places in that minute Metropolis to shake off the tightness of leaning over drafting tables, stretching before canvasses or bending over tubs in the photography studio. And before they could pay for their drinks Steve always stopped them, placing a large number of bills into the waiter’s open hand, as he always had a fist full of cash. They were perpetually grateful, but felt guilty that he always insisted on procuring their drinks, which made them feel as if this was his fee for including him in their coterie. And, if in fact it was, which it wasn’t, he didn’t seem to mind.
        Steve seemed to have a very long leash. At least that’s what they all thought when they inquired why Honeysuckle was never about. Steve claimed that she preferred to stay at home and didn’t like bars, noise and populous spaces. They imagined her ethereal – meditating before a statue with candles and incense burning all about. Around that time hip little restaurants started springing up offering Indian, Thai and California fusion. The owners were the new flush of Buddhists that were thriving in their adopted land, spreading their eclectic influences and providing a divergence from the usual ma and pops’ eateries, fish and chips shops and generic Chinese.
 
On an evening out, it was rare if Steve the Buddhist didn’t appear–their trusted apparition. One could depend on him like the stars at night, fog and the smell of the sea that was always a quick walk away. One particular soiree following dancing and drinks, he asked them if they wished to visit his temple. They all agreed to call when the moment was opportune. After all, Steve had lavished them time after time, and they didn’t want to him to think they only included him in their circle because of what was freely overflowing from his pocket book. This appeared important to him, so they would indeed oblige even if it was out of their realm of normal.
        It took some time before the four of them could arrange for the temple experience. With separate course schedules it was not an easy feat to manoeuvre. They agreed to meet the following Thursday. They were advised to be a tad early. However, Floyd was perpetually late, for classes, assignments, everything you can imagine, so this did not seem feasible.
        As expected, the following Thursday Floyd was not there at the set time. They decided to give him a generous fifteen-minute window, but after that passed, they went in without him. The first thing they noticed was a large Buddha at the far end of an open room. The Buddha was enclosed on a raised stage setting with an altar in front. Decorative curtains and images were on either side of the peaceful looking statue. A small table stood at the end of the heightened platform. The rest of the room had pillow seats with low backs for people to sit upon.
       The teacher gave them a tour and went over the basic principles of the service. They were to sit and try to rest their minds. Contemplate feelings with the ultimate goal of overcoming mental barriers such as anger, jealousy and longing. It all seemed rather positive until Floyd arrived noisy and late, as the rest of the followers at the temple were deep in their thoughts. He stomped loudly with his Doc Martens and nearly tripped on his way to his friends, giggling and disruptive. The teacher never once gave him the dirt eye, which impressed Ruby. Steve was his usual calm and sweet self. Nothing ever seemed to bother him as they assumed he had obliterated every negative thought from his head. And he was affluent. They knew he had a computer company, for this was the new order of things. The first desktop computers were present now. And having money usually calms the spirits of worry and woe.
 
Following the temple call, things went back to the usual pace of keeping late hours in studios–then catching a late-night cocktail to wind down after laborious conceptual strain. It was rare if Steve was not there waiting for them or arriving soon after. He had a childlike innocence about him that was attractive. He was consistently positive while the rest of them fretted about their futures and where to land upon graduation. On a few sacred evenings they picnicked by day and star-gazed at night. On a couple of nights, they watched meteor showers well until dawn.
        Now that Steve lived on the coast, he wanted to experience nautical life. He thought it wiser to buy a houseboat instead of a sailboat, given his inexperience on ocean waters. It was nearly 550 sq feet. With a fully equipped kitchen and bathroom. It could sleep up to six people and was encased by glass and steel. It had an upstairs open deck with a glass railing for security and was the first modern houseboat ever to be docked in the harbour. It was christened The Shambhala, and became a sort of a tourist attraction down on the waterfront. Often Steve, Ruby, Todd, Geoff, and Floyd would hang there sipping cocktails living the life of good fortune that Steve The Buddhist fondly provided. The Shambhala teachings was what Steve and other members of the Buddhist community came here for in the first place. This is where their teacher and leader transferred wishing to create a society based on mindfulness, compassion and non-aggression.
 
One particular warm spell in August there was to be a dinner on the houseboat. Steve invited a few of his varied friends from the temple for dinner on the houseboat and as usual, Ruby and the gang were to be also in attendance. Steve was having it catered and there was a bartender. The art school gang made frequent use of him. They were all struggling with funds, as they were living on student loans and not one of them was from wealth. Ruby and Todd had part-time jobs. Ruby in a printshop. Todd in a restaurant, so these indulgences were most welcome. The edibles were mostly tapas. An assortment of unusual and delightful bites. As the evening wore on, Floyd and the art gang became boisterous. Floyd even removed his clothing at one point and dove off the upper deck into the harbour. People never swam in the harbour as it was considered unsanitary and polluted back then. After he took the plunge, the rest of the art gang followed. Splashing and laughing in the cool water.
        At one point Floyd, always the instigator, untied The Shambhala and let her take course with the evening winds and currents, which had increasingly picked up since they embarked the vessel. It was reckless, but they had consumed cocktails since the late afternoon making their judgement negligent. She could easily collide with other boats as she glided along towards the mouth of the harbour.
        It took some time before the others noticed that they were no longer moored at the dock. Steve had not once taken The Shambhala away from the wharf. In fact, he had no idea how to navigate or manage her steering. The guests became more nervous as The Shambhala was heading towards open sea. Once there, the currents and waves would decide her fate. After some time, as Steve had no idea how to find the right frequency on the ship to shore radio, he did manage to contact the Harbor Master and pleaded for help. However, other sailing boats had already alerted the Coast Guard and they were swiftly on route. The art school gang were slowly absorbing their shame as the fog began to ensnare them and everything that it touched.
        By the time the Harbor Master had tethered The Shambhala to bring her back to her place of rest, Steve The Buddhist got a stern talking to and a hefty fine for deliberately staging a scene of menace. For himself, as well as his guests, and for endangering all in the path of The Shambhala.
        The summer was at an end by the time the last soiree had unveiled all of its glory. Filled with frolicking in the warm night air. Watching falling stars and streams of light falling from the sky. Steve The Buddhist was not seen since the harbour fiasco.
 
Not because he was angry or disappointed with Ruby and the gang. He wasn’t built of those sorts of feelings. He simply was out of touch. Meditating in a month-long retreat far from the city. School had finished and all four of them graduated at the same time. Ruby, Floyd and Todd all headed to New York dreaming of success while Geoff relocated to Canada’s largest city. As time travels on its unstoppable way, Ruby often thinks of Steve The Buddhist, wondering if he still lives in that sectarian town. She never lived there again, yet when she visits, she imagines running into him somewhere on a street or under the stars at night. She can almost see him breaking through the morning fog.

Kumar Sen – June 12

Kumar Sen
June 12

By mid-June, the heat had learned his name.
        It did not arrive like weather. It settled and waited, leaning against the windows before dawn, slipping inside through whatever the walls could not hold. By afternoon, it was everywhere at once—on the table, in the stairwell, inside the breath. The fans did not cool it. They only taught it how to circulate.
        On the first morning of the school holidays, Arun woke before anyone else and went outside barefoot. The courtyard still held the night in patches, but the ground was already warming, storing yesterday’s sun like something it intended to keep. He stood there, looking up. The sky had that bleached, overhandled look summer gave it—a blue rubbed thin by too many hands. He decided, without knowing why, that this summer would be different. The certainty came quietly, completely.
        Inside, his mother slept with one arm over her face. His father had already left; he always left before the air thickened into something difficult to move through. Arun passed through the rooms without sound, touching things as he went—the edge of the table, the back of a chair, the wall near the door—as if confirming they had not shifted in the night.
        By noon, the electricity cut out. The fan slowed, hesitated, and stopped.
        For a moment, nothing replaced it. Then smaller sounds emerged: a fly striking the windowpane, a vendor calling out slices of watermelon in a voice already tired, the dry ticking inside the walls where something expanded. Arun lay on the floor, his cheek pressed to a square of tile that would not stay cool for long.
        His mother woke and began fanning herself with a folded newspaper. ‘It has no manners,’ she said. ‘At least rain knows when to leave.’ Arun watched the light move across the floor. It did not hurry.
        By the third week, the afternoons had become uninhabitable. No one said it. Everyone knew.
        After lunch, the neighbourhood sealed itself. Doors closed. Curtains drawn. Even the dogs disappeared into strips of shade too narrow to be useful. The air did not move. It accumulated. Arun began to walk then. He chose the worst hours, when the sun erased edges and distance softened into something unreliable. The asphalt shimmered. Buildings loosened, their outlines wavering as if they might slide out of place.
        He walked without destination. A destination would divide the day, give it structure. Summer resisted that. It stretched until morning and evening felt like rumours. Sometimes he counted his steps. Sometimes he tried to walk only on the pale patches of road where the heat seemed thinner, though it never was. Once, he followed a line of ants carrying something invisible for nearly half a kilometre before they vanished into a crack.
        It was during one of these walks that he found the house. He had passed the street before without noticing it. There was nothing distinct about it at first: low houses, paint worn flat by years of sun, gates that opened only halfway or not at all. But this one held itself differently.
        The gate was open.
        Inside, the yard was overgrown in a careful way, as if neglect had been interrupted and never resumed. A plastic chair sat near the door, its surface chalked pale by sunlight, its legs slightly warped. The windows were covered from the inside—not with curtains, but with paper, sheets taped edge to edge until no glass showed through.
        Arun stood at the gate longer than he meant to. The heat pressed against his back. Crossing the gate felt less like entering a place than agreeing to something.
        The air in the yard felt altered—not cooler, but less insistent. He approached the window. Up close, the paper was covered in writing—lines layered over lines, ink fading at different rates. Some words remained dark; others had thinned to ghosts.
        He tilted his head, trying to catch the angle.
        —heat does not leave, it gathers
        —afternoon repeats itself, slightly wrong each time
        —there is no edge to this season
The dates repeated.
        June 12. June 12. June 12.
        Written again and again, sometimes neatly, sometimes pressed so hard the page had nearly torn.
        He went to the door. It was not locked.
        Inside, the air smelled of dust and paper left too long in the sun. The rooms were nearly empty: a table, a chair, a bedframe without a mattress. And everywhere—paper. On the walls, in uneven stacks on the floor, fixed to the ceiling where the corners sagged.
        Arun picked one up.
        If summer is a season, it should end. If it does not end, it becomes something else.
Another:
        I will write it until it finishes.
        Another:
        Today is the same as yesterday, but I am not.
        The handwriting shifted, but never enough to belong to someone else.
        In the back room, the walls were completely covered. Older pages were barely visible beneath newer ones. The air felt thicker there. On the far wall, one sentence had been written larger than the rest:
        The season is not outside.
        Arun stood there until the words thinned into shapes. Near the floor, partially hidden, another page caught his eye.
        June 27. I will begin tomorrow.
        Arun frowned. That was the date he had written in his notebook the night before.

When he returned home, the electricity was still out. His mother sat by the window, fanning herself more slowly now. ‘Where were you?’ ‘Walking.’ ‘In this heat?’ He shrugged.
        She looked at him then, properly, as if noticing something she could not name. ‘You’ll make yourself ill,’ she said. ‘This kind of heat… it gets inside.’ A pause. ‘It makes people say things they don’t mean.’
        Arun said nothing.
        That night, he could not sleep. The darkness felt incomplete without the fan. The silence stretched, filling the room. He sat up and reached for his notebook.
        For a moment, he hesitated. Then he wrote:
        June 27. The heat is still here.
        He waited.
        It feels like it has always been here.
        He paused, then added:
        Today I found a house where someone tried to write the summer through.
        The phrasing unsettled him. He wrote anyway—page after page, until his hand ached and the words began to blur. After a few days, he could no longer tell if he was describing the heat or remembering it.
        He returned to the house the next day. And the next.
        It became a place of continuation. He began to recognize patterns—phrases returning with small changes, thoughts circling without resolving. Sometimes the pages felt like answers. More often, like questions abandoned mid-sentence.
        One afternoon, he noticed something he had missed before. In the back room, in the far corner, a section of wall remained untouched. Not empty. Left.
        The space was small, no larger than a sheet of paper. The edges were precise, as if everything else had grown outward and stopped just short of it.
        Arun stepped closer. The heat seemed to hold.
        He took a page from his notebook. For a long time, he did nothing.
        Then he wrote:
        August will come.
        He read it again. The sentence felt both obvious and improbable, like something remembered from a different kind of time. He taped it to the wall.
        The paper lay flat.
        It did not curl.
        That evening, the power returned. The fan stuttered, then spun into motion. Air moved again, brushing lightly against his skin. His mother exhaled. The house filled with its usual sounds, as if something had been restored. Arun lay on the floor, eyes closed, feeling the current shift. It did not remove the heat. It rearranged it.
        After a while, he got up and opened his notebook.
        On a new page, he wrote:
        August will come.
        He looked at the sentence for a long time. Then, beneath it, without deciding to, he added:
        June 12.
        The fan turned above him, steady now. The air moved.
        But the heat did not leave.
        It recognized itself.

Sambhu Ramachandran – Summer in Palakkad

Sambhu Ramachandran
Summer in Palakkad

The light comes as a revelation,
unfolding relentlessly over undulant

paddy fields crested with flecks of gold.
We wait for a god, his flaming chariot

drawn by a team of brawny stallions
with flowing manes—the kind

we’ve memorised from Amar Chitra Katha
to announce himself, but are blinded

by the daze. Birds sweat out their delirium
in leafy saunas where the temperature controls

have broken down. The crimping iron
of the mid-day sun curls the tendrils

of peas straggling over trellises. A drongo
drinks his reflection from a drying puddle

& a calf lashes aimlessly at flies
with its dung-caked tail. A bright

yellow dazzle through foliage
as of cameras flashing—snakes

in swan-like poses, grasshoppers
reaching up on stilettos & chameleons

trapped between the cascade of colours.
Then, a cracking sound as though of the sky

breaking apart. Cobalt & ash, the clouds
serenade the horizon & rain falls

with a shape-shifter’s impish delight—
silver-tipped arrows of rain pouring

upon the testudo of leaves, fists
of rain beating the taut drumhead

of stones & rescue operations of rain,
with large drops descending in blue-green

parachutes to save somnolent roots
taken hostage by armies of drought.

Sambhu Ramachandran – An Egret in Summer

Sambhu Ramachandran
An Egret in Summer

An egret, snow-plumed & alert,
             stands alone
in the sunlight-dappled water

of the temple pond. The slight shifts
             in its pose—
how they dimple the inky surface,

couriering ripples out to the edge
             where tufted hyacinths,
aflame with their lilac glow, receive

the silent message. I stand
             on the broken steps,
lathering a bar of soap into my clavicles.

A stray bubble, iridescent & ghost-thin,
             unmanacles itself
from my chest hair & floats off

into the distance. My glance follows
             its trajectory as far as
a submerged bough where it disappears

or bursts. A flash of azure brilliance
             stuns the eye
as a kingfisher swoops glibly down

from the mango tree to wheel away
             with a fry. Leaves
scatter as though of something scared

being volubly disrupted. The egret
             keeps its pose. The sun
pats my skin red like someone drunk

on love. After a while, I start
             to resemble
the egret, soap suds feathering me

to my big toe. Something in me
             longs to mimic
its secret longing

mirrored in the pond—to melt
             into the water
like a column of pristine snow.

Kiera Faber – Lungs and Secret Woods

Kiera Faber
Lungs and Secrets Woods

The artist writes: ‘My new textile series, Accretions (2026), is created from tapestry remnants of my Jacquard ‘Artist Proofs’. These imperfect, discarded tapestries of my original drawings, analogue cyanotypes, and instant film photographs, contain sections of intrigue and beauty. They are metaphors for the fragmented or flawed self. When re-appropriated and reassembled, their brokenness is released: New life and complexity is discovered. I hand-paint forms into this new woven amalgam; imprinting—we are here. Accretions grapples with our precarious and fragile relationship to the natural world: Fusing the known with the unknown, confounding what is real or imagined, and realizing the mystical other.’
 

Kiera Faber, Lungs, Jacquard tapestry, 25.5 x 28 inches, 2026


 

Kiera Faber, Secret Woods, Jacquard tapestry, 28 x 24 inches, 2026

Oormila Vijayakrishnan Prahlad – Hornby Lighthouse & Redleaf Pool

Oormila Vijayakrishnan Prahlad
Hornby Lighthouse, Vaucluse & Redleaf Pool, Woollahra

The artist writes: ‘I am currently the inaugural Writer-in-Residence at Woollahra Libraries, writing a poetry manuscript inspired by the coastlines of Woollahra and transnational poetics. These paintings are two in an ongoing series, companion pieces to the poems I am developing—visual extensions of the same inquiry into place, care, and environmental responsibility.

The first painting features Hornby Lighthouse, a symbol of guidance and foresight, on Sydney’s South Head. Surrounded by lush native tree cover, it represents how communities can navigate beyond climate overshoot through conscious, sustained environmental choices. The second painting depicts Redleaf Pool, a tidal ocean pool set into Sydney Harbour—a symbolic threshold between human design and natural formations. I see it as a metaphor for balance between the space carved out by people, yet governed by the rhythms of climate, ocean, and tide. These works see sustainability as sacred relationships between land, water, and community. They are my tribute to Woollahra for becoming a site where local action reflects a broader global shift toward climate responsibility.’
 

Oormila Vijayakrishnan Prahlad, Hornby Lighthouse, Vaucluse, acrylic on canvas-textured paper, 12 x 9 inches, 2026


 

Oormila Vijayakrishnan Prahlad, Redleaf Pool, Woolhara, acrylic on canvas-textured paper, 12 x 9 inches, 2026

Monique van Maare – Breathcatching

Monique van Maare
Breathcatching
 
 
quicksilver swallow

skirts a waving field, skipping,

like a hurled pond-stone

without the weight,
 
 
just the air that ripples

as if she doesn’t carry

anything, no tired tendons

to drag her flitting turns,
 
 
no tremor-echo

from the peregrine’s claw

that almost raked her from the sky,

no weariness at all,
 
 
her sleek shape

as light and free

and sharp

as catching breath